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Welcome to the Troika Editions blog. Here you will find out about our latest news, our artists and our latest offers. Every day we post a picture of the day from the web

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Photography, Architecture, Sculpture...

posted by Bridget on 01 July 2013

I almost missed the work of Madoka Furuhashi at the RCA Degree Show, discovering them on the stairs of the Dyson Building on my way out.

But perhaps this was an appropriate place to display Madoka's work. A former student at the Architectural Association School of Architecture, Madoka has placed her photographs of household objects found in derelict buildings within the heart of the building, the stairways provided the route through the building, connecting the floors and giving us access to the whole architectural space.
Madoka is an interesting artist, bringing together her understanding of space, design and photography. Not all her work is photographic and is better understood as sculptural as in this cloths-peg piece.

Madoka As photography continues to challenge its boundaries some of the most interesting work coming out of the art schools this year has used photography within a much wider and richer mix of different mediums and palettes.

You will have the chance to see Madoka's work if you missed the RCA degree show, as she has been selected for the forthcoming 5 Under 30 exhibition at the Daniel Blau gallery which runs from the 5th – 30th July.

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A new direction for photography?

posted by Bridget on 30 June 2013

It must be said I wasn't entirely convinced by the work of Philipp Dorl but he has tapped into the idea of process, which is has been a popular theme in the degree shows.

Photography is an essentially unstable process, and the print will fade over time. How long it takes for the image to disappear depends on how well it was made and how it is kept. Prints stored in good archival conditions may continue to render their image for hundreds of years, not enough time has passed for us to know yet.

An important element in sustaining the photographic print is to fix it properly during the printing process and it this area of production that Philipp Dorl explored in his final degree show at the RCA.

Dorl presented prints that had not been fixed and by exposing them to filtered coloured light he encouraged the image to disappear, drawing our attention to both the materiality of photography and its ephemeral nature.

Philipp Dorl

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Best from RCA Photography Graduates

posted by Bridget on 29 June 2013

Photography wasn't given enough space but some artists still shone out

This year's sculpture and painting exhibits were huge and as a consequence photgoraphy suffered a little by being squeezed into the empty spaces, as visual corridors connecting us from one piece of massive artwork to the next.

The result was very few if any of the photography students had enough space to show us an installation that would give us a chance of assessing their work, potential or ability.

One such was Clare Bottomley who needed a much bigger area to give us the full blast of her work. She was showing three pieces from her Innumerable Messiahs series. Her St Jerome, pictured below, piqued my interest about what she was doing and why so I went in search of her website where I found a wealth of funny, challenging and very good work.

Clare Bottomley

Click on the photograph to see her website and if you have a moment or two watch her Lady Liberty videos and I strongly recommend watching them at the same time.

Clare is one to watch and is the deserved winner of the RCA/Deutsche Bank Project Award

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Photography at the RCA

posted by Bridget on 28 June 2013

The RCA Degree show breaks down the boundaries between mediums

This was particularly true for printmakers, a number of whom had used photography either as a reference point or for the final pieces in their degree exhibition.

Nicola Thomas, who has graduated in printmaking, has produced an etched print drawn from glamorous movie stills, in her examination of the gaze, that of the cinematic camera, the film goer and the viewer of art.

nicola thomas

Click on the image to go to Nicola's website.

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Newsletter | Issue 169

posted by Bridget on 27 June 2013

Click on the image to read our latest newsletter

newsletter 169

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How to get on and influence people

posted by Bridget on 22 June 2013

Flattery is seductive and can be a useful tool

When you want to get your work seen, or attend an exhibition, the work has to be good, but flattery can go a long way to help your cause and get your target audience to pay attention.

Ingratiating simpering is not what I am talking about. But my advice to any graduating student is if you want to get on then do your homework and make sure you know who you are talking to and what might be of interest to them.

So flattering your audience can be achieved very simply by:

Knowing and spelling names correctly

Personalise invitations

Know what your audience does, so if they are book publishers, have a good knowledge of what is in their catalogue; if a writer/critic make sure you have read what they have written and have an opinion about it; if a fashion photographer or art director know what they have produced for their latest campaign and so it goes on

Coralie Datta and Jayne Worthington are graduating this year from Hereford College of Art and are organising an exhibition of their course's final degree show at The Strand Gallery in London. They very kindly invited me to open the exhibition with a few words. Now that is a sure-fire way to get me to turn up to the Private View on the 15th July!

coralie datta

Click on the image to find out more about show.

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