Using political and cultural references, Issa's work questions our understanding of what is real and what is a constructed truth. Inspired by the TV documentary Power of Nightmares, by Adam Curtis, which explored how the cultivation of fear is used as a political weapon in contemporary politics, Issa expands this idea by looking at the boundaries between reality and perception. In the photograph Wild West, the interplay between the heroic cowboys, driving the cattle across the range is undermined by the rather effete drawing of a young man dressed in a cowboy's outfit. Is either truly representative of American masculinity?