Over a period of two weeks, Claudia absorbed the views, watching the light as it shifted over the mountains and lakes, until she settled upon the perfect time of day to set up her tripod and make her triptych "Sils Maria". Seeking to find a way of visualising the deep sense of tranquillity she felt in this place, Claudia was drawn to the gentle and understated effects of the early evening light, when the lake and mountains became equal and the detail in the water and rock faces register without emphasis.

Much of Claudia's work is made in short series of images of the same scene that can be viewed together, often as triptychs, sometimes just in pairs. By breaking up the landscape into sections, Claudia draws us into the subtle differences between each image, drawing attention to what she is interested in. Through the device of segmenting the view before her, Claudia engages us with her own very personal preoccupation with looking.