The role of the photographer is to interpret and not just represent. In this triptych Claudia has pulled out the chance patterns of the cranes, pylons and cooling towers, guiding the viewer to a simple beauty to be found in line, form and colour set against the white clouded sky.

Much of Claudia's work is made in short series of images of the same scene that can be viewed together, often as triptychs, sometimes just in pairs. By breaking up the landscape into sections, Claudia draws us into the subtle differences between each image, drawing attention to what she is interested in. Through the device of segmenting the view before her, Claudia engages us with her own very personal preoccupation with looking.